Advertisers
|
Sponsors
|
The Little Rascals (1994 film) - The Little Rascals is a 1994 comedy feature film produced by Amblin Entertainment and Universal Pictures. It was based upon the classic short film series Our Gang, and featured re-interpretations of several classic Our Gang shorts, including Hearts are Thumps, Rushin' Ballet, and Hi'-Neighbor!
Screwball comedy film - The screwball comedy has proven to be one of the most popular and enduring film genres. It first gained prominence in 1934 with It Happened One Night, and although many film scholars would agree that its classic period ended sometime in the early 1940s, elements of the genre have persisted, or have been paid homage to, in contemporary film.
Night and the City (1992 film) - Night and the City is a 1992 film remake of the 1950 film noir classic. The film stars Robert De Niro and Jessica Lange.
Classic Arts Showcase - Classic Arts Showcase is a 24-hour noncommercial satellite channel broadcasting a mix of various classic arts including animation, architectural art, ballet, chamber and choral music, dance, folk art, museum art, musical theater, opera, orchestral, recital, solo instrumental, solo vocal, and theatrical performances, as well as classic film and archival documentaries.
Classic Films - Classic films, B-movies and black Americans in early film. Bibliography, original articles and hundreds of images and audio clips.
Classic Movie Corner - Reviews and classic film information information on the classic films of the Golden Age of Hollywood from the 1930s - 1970s.
Tampa Theatre Online - A restored classic theatre showing modern independent and classic films in Tampa, Florida. Pre-show Wurlitzer organ concerts. Film listings with detailed descriptions, extensive links to film studios and to other restored theaters.
Source: BazSites.com
Classic Chinese Movie - ... explains this peculiar and now universal state of thought and feeling. It focuses on the global proliferation of film, a worldless, irrational lingua franca, infinitely rich in images but conveying a knowledge radically different from the culture of the word. What, finally, do we internalize from the endlessly multiplying scenes from already ancient silent films, "real" documentary footage of massacres and bombardments, classic movies whose unerasable performers (Keaton, Astaire, Shirley Temple) never ...
Classic Film Music War - Classic Film Music War The War Veteran in Film Movies have provided a record of the war veteran as he was viewed within his own culture ...
Classic War Film Music - Classic War Film Music Projections of War: Hollywood, American Culture, and World War II by Thomas Doherty, Thomas Doherty reveals how ... picture record of the war years. He explains the social, political, and economic forces that created such genre classics as "Mrs. Miniver," as well as comedies, musicals, newsreels, documentaries, cartoons, and army training films. He examines ...
Film Noir - Film Noir Film Noir by Andrew Spicer, "Yes, I killed him. I killed him for the money and for a woman ... didn't get the woman. Pretty, isn't it?" "-- Fred MacMurray in Double Indemnity, 1944" An examination of 'classic' film noir (1940-59) which explores its contexts of production and reception, its visual style, narrative patterns ...
Film Noir - Film Noir Film Noir by Andrew Spicer, "Yes, I killed him. I killed him for the money and for a woman ... didn't get the woman. Pretty, isn't it?" "-- Fred MacMurray in Double Indemnity, 1944" An examination of 'classic' film noir (1940-59) which explores its contexts of production and reception, its visual style, narrative patterns ...
Film Noir Music - Film Noir Music Film Noir by Andrew Spicer, "Yes, I killed him. I killed him for the money and for a woman ... didn't get the woman. Pretty, isn't it?" "-- Fred MacMurray in Double Indemnity, 1944" An examination of 'classic' film noir (1940-59) which explores its contexts of production and reception, its visual style, narrative patterns ...
Film Noir - Film Noir Film Noir by Andrew Spicer, "Yes, I killed him. I killed him for the money and for a woman ... didn't get the woman. Pretty, isn't it?" "-- Fred MacMurray in Double Indemnity, 1944" An examination of 'classic' film noir (1940-59) which explores its contexts of production and reception, its visual style, narrative patterns ...
Film Noir - Film Noir Film Noir by Andrew Spicer, "Yes, I killed him. I killed him for the money and for a woman ... didn't get the woman. Pretty, isn't it?" "-- Fred MacMurray in Double Indemnity, 1944" An examination of 'classic' film noir (1940-59) which explores its contexts of production and reception, its visual style, narrative patterns ...
Copyright 2006-2008.Directory All Rights Reserved.